pauraque: Guybrush writing in his journal adrift on the sea in a bumper car (monkey island adrift)
[personal profile] pauraque
Today is my birthday! Already, somehow!

On my last birthday I treated myself to talking about The Secret of Monkey Island, which is my favorite game of all time. It wasn't my intention to wait an entire year to talk about the sequel, which is also a game I have been passionate about since childhood, but here we are.

stopped by a tough guy at a bridge, the player highlights guybrush's dialogue option: I don't pay for nothin'. I'm a pirate

Guybrush's epic defeat of the Ghost Pirate LeChuck in the first game brought him fame and fortune, but what daring feats of swashbuckling has he done lately? To prove that he's not a one-hit wonder, he sets out to find the legendary lost treasure of Big Whoop, which surely must be impressive even though nobody quite knows what it is. But his quest gets more complicated when he realizes that while he may have defeated the ghost of LeChuck, the villain's body is still somewhere out there...

cut for length )

Monkey Island 2: LeChuck's Revenge is on Steam and GOG for $9.99 USD.

Will it take me another year to review the third game? Do I even realize that at this rate I won't be replaying Return until 2029? Will there be yet another surprise new entry in the series by then? Stay tuned to find out!
denise: Image: Me, facing away from camera, on top of the Castel Sant'Angelo in Rome (Default)
[staff profile] denise posting in [site community profile] dw_news

I'll start with the tl;dr summary to make sure everyone sees it and then explain further: As of September 1, we will temporarily be forced to block access to Dreamwidth from all IP addresses that geolocate to Mississippi for legal reasons. This block will need to continue until we either win the legal case entirely, or the district court issues another injunction preventing Mississippi from enforcing their social media age verification and parental consent law against us.

Mississippi residents, we are so, so sorry. We really don't want to do this, but the legal fight we and Netchoice have been fighting for you had a temporary setback last week. We genuinely and honestly believe that we're going to win it in the end, but the Fifth Circuit appellate court said that the district judge was wrong to issue the preliminary injunction back in June that would have maintained the status quo and prevented the state from enforcing the law requiring any social media website (which is very broadly defined, and which we definitely qualify as) to deanonymize and age-verify all users and obtain parental permission from the parent of anyone under 18 who wants to open an account.

Netchoice took that appellate ruling up to the Supreme Court, who declined to overrule the Fifth Circuit with no explanation -- except for Justice Kavanaugh agreeing that we are likely to win the fight in the end, but saying that it's no big deal to let the state enforce the law in the meantime.

Needless to say, it's a big deal to let the state enforce the law in the meantime. The Mississippi law is a breathtaking state overreach: it forces us to verify the identity and age of every person who accesses Dreamwidth from the state of Mississippi and determine who's under the age of 18 by collecting identity documents, to save that highly personal and sensitive information, and then to obtain a permission slip from those users' parents to allow them to finish creating an account. It also forces us to change our moderation policies and stop anyone under 18 from accessing a wide variety of legal and beneficial speech because the state of Mississippi doesn't like it -- which, given the way Dreamwidth works, would mean blocking people from talking about those things at all. (And if you think you know exactly what kind of content the state of Mississippi doesn't like, you're absolutely right.)

Needless to say, we don't want to do that, either. Even if we wanted to, though, we can't: the resources it would take for us to build the systems that would let us do it are well beyond our capacity. You can read the sworn declaration I provided to the court for some examples of how unworkable these requirements are in practice. (That isn't even everything! The lawyers gave me a page limit!)

Unfortunately, the penalties for failing to comply with the Mississippi law are incredibly steep: fines of $10,000 per user from Mississippi who we don't have identity documents verifying age for, per incident -- which means every time someone from Mississippi loaded Dreamwidth, we'd potentially owe Mississippi $10,000. Even a single $10,000 fine would be rough for us, but the per-user, per-incident nature of the actual fine structure is an existential threat. And because we're part of the organization suing Mississippi over it, and were explicitly named in the now-overturned preliminary injunction, we think the risk of the state deciding to engage in retaliatory prosecution while the full legal challenge continues to work its way through the courts is a lot higher than we're comfortable with. Mississippi has been itching to issue those fines for a while, and while normally we wouldn't worry much because we're a small and obscure site, the fact that we've been yelling at them in court about the law being unconstitutional means the chance of them lumping us in with the big social media giants and trying to fine us is just too high for us to want to risk it. (The excellent lawyers we've been working with are Netchoice's lawyers, not ours!)

All of this means we've made the extremely painful decision that our only possible option for the time being is to block Mississippi IP addresses from accessing Dreamwidth, until we win the case. (And I repeat: I am absolutely incredibly confident we'll win the case. And apparently Justice Kavanaugh agrees!) I repeat: I am so, so sorry. This is the last thing we wanted to do, and I've been fighting my ass off for the last three years to prevent it. But, as everyone who follows the legal system knows, the Fifth Circuit is gonna do what it's gonna do, whether or not what they want to do has any relationship to the actual law.

We don't collect geolocation information ourselves, and we have no idea which of our users are residents of Mississippi. (We also don't want to know that, unless you choose to tell us.) Because of that, and because access to highly accurate geolocation databases is extremely expensive, our only option is to use our network provider's geolocation-based blocking to prevent connections from IP addresses they identify as being from Mississippi from even reaching Dreamwidth in the first place. I have no idea how accurate their geolocation is, and it's possible that some people not in Mississippi might also be affected by this block. (The inaccuracy of geolocation is only, like, the 27th most important reason on the list of "why this law is practically impossible for any site to comply with, much less a tiny site like us".)

If your IP address is identified as coming from Mississippi, beginning on September 1, you'll see a shorter, simpler version of this message and be unable to proceed to the site itself. If you would otherwise be affected, but you have a VPN or proxy service that masks your IP address and changes where your connection appears to come from, you won't get the block message, and you can keep using Dreamwidth the way you usually would.

On a completely unrelated note while I have you all here, have I mentioned lately that I really like ProtonVPN's service, privacy practices, and pricing? They also have a free tier available that, although limited to one device, has no ads or data caps and doesn't log your activity, unlike most of the free VPN services out there. VPNs are an excellent privacy and security tool that every user of the internet should be familiar with! We aren't affiliated with Proton and we don't get any kickbacks if you sign up with them, but I'm a satisfied customer and I wanted to take this chance to let you know that.

Again, we're so incredibly sorry to have to make this announcement, and I personally promise you that I will continue to fight this law, and all of the others like it that various states are passing, with every inch of the New Jersey-bred stubborn fightiness you've come to know and love over the last 16 years. The instant we think it's less legally risky for us to allow connections from Mississippi IP addresses, we'll undo the block and let you know.

pauraque: Picard reads a book while vacationing on Risa (st picard reads)
[personal profile] pauraque
Set in a future where the galaxy is dominated by a massive colonialist corporation called Umbai, this complex space opera novel centers on Nia Imani, the captain of a commercial freighter. Nia is an emotionally guarded woman who has trouble making and keeping connections, but when she meets a mysterious boy whose escape pod crashed on a farming colony planet, she finds herself drawn to him. But he also captures the attention of a powerful figure within Umbai who believes the boy may unknowingly hold the secret to instant teleportation without relativistic effects, which could revolutionize space travel and further consolidate corporate control.

Time distortion is a theme running through every level of the book—literal, figurative, structural. Relativistic time dilation heightens social disconnectedness, as a space traveler who leaves a planet for mere months of their own time will find friends are decades older when they return. A person may live for hundreds of years and remember ancient ways now lost, yet find the spectre of their past mistakes still painfully present. The book's narrative style reflects this warping of time's fabric, lingering in detail over certain moments but at other times fast-forwarding through years in a paragraph. All this underpins the exploration of connection and loss, as well as questions of how many times you can start over, what you bring with you, and what you leave behind.

I found the first third or so of the book to be the strongest. Like Jimenez's second book The Spear Cuts Through Water, it paints a clear picture of the universe as made up of diverse and interconnected lives, where the camera could turn and follow anyone and find a story just as rich as the main protagonists'. I also appreciated the deeply anticapitalist and anticolonialist themes, which reminded me of Ann Leckie in the way the human costs of imperialism are built into the story.

The book is extremely ambitious for a first novel, and in the end I think it reaches a little beyond its grasp. After a while the epic scope, large cast, and unconventional pacing began to make me feel that some aspects were rushed and underexplained. Sometimes we don't see a character for a long time, and by the time we rejoined them I'd lost the thread of what they were doing and why. There are also some characters whose motivations are never revealed and some plot questions that are never answered, which made the last section feel like a shaky landing. When I noticed there were only thirty pages to go I was like, "How the hell is he going to wrap all this up?" and the answer is he kind of didn't.

I found The Spear Cuts Through Water more fully realized and satisfying, but he wrote that after this, so if trends continue I'd say he's on the right track. I'll keep an eye out for what he does next.

(Content notes include child abuse, torture, climate change apocalypse, and the fact that the title is literal—the worldbuilding involves the extinction of all Earth's birds. 😭)

Islanders (2019)

Aug. 18th, 2025 01:02 pm
pauraque: Guybrush writing in his journal adrift on the sea in a bumper car (monkey island adrift)
[personal profile] pauraque
In this casual city building game the goal is to accumulate points by placing buildings in a model town. Each type of building earns points according to what other buildings and resources are nearby, suggesting the city planning process—houses want to be placed near the town center and other houses, but not near noisy industry, etc. It's less a city builder than it is an abstraction of what you do in a city builder, reduced to its most basic elements.

player places a lumberjack hut showing points gained and lost from nearby buildings and trees

This game didn't do it for me. I love city builders, but for me just placing buildings isn't enough to hold my interest, at least not as it's presented here. I can do object placement puzzles that are completely abstract and arbitrary like Tetris or something. But if we're calling it a town, then I want people in it! I want to manage traffic and resources! I can see from the positive reviews that many players enjoy the simplicity and find it relaxing, but for me it's so impersonal that it feels sterile, and I found myself getting bored quickly. It has good reviews so I guess I'm just the wrong audience for it. It did make me think about how I don't respond just to the mechanics of a game, but also to the setting where those mechanics exist and what I want to see in that setting, so at least there's that.

Islanders is on Steam, GOG, and consoles for $4.99 USD.
delphi: An illustrated crow kicks a little ball of snow with a contemplative expression. (Default)
[personal profile] delphi
Fandom 50 #25

Long Live by [youtube.com profile] llintrek
Fandom: Star Trek (TOS through to AOS)
Characters: Ensemble from TOS, TNG, DS9, VOY, ENT, and movies
Medium: Vid
Length: 5:19
Rating: SFW
My Bookmark Tags: drama, slice of life, happy ending, established relationship, celebration, legacy, nostalgia, friendship, family
Song: "Long Live" by Taylor Swift

Excerpt:
You held your head like a hero on a history book page / It was the end of a decade, but the start of an age
This vid is a warm bowl of good soup, nostalgic and comforting. I love the conceit of starting out following one character who shares a scene with a second, and then following that character, and so on, through the crossovers between the different series, and then across the themes that unite them. This is one I go back to often when I need a smile.

pauraque: Picard reads a book while vacationing on Risa (st picard reads)
[personal profile] pauraque
This novel is structured as a woman's reminiscences of her life, beginning in the 1990s at an elite boarding school she attended in England. The students are told that they are special and important, and that it is an extreme privilege to attend this school, but they aren't given a clear understanding of why this is or what makes the school so different from others. Throughout the first few chapters, it becomes increasingly apparent that something strange and ominous is going on. The students have close friendships with each other, but nobody ever mentions family or going home for holidays. The teachers are cagey about the nature of the situation, and some seem distressed by it, as if their hands are tied.

What is really going on is stated outright a quarter of the way into the book. The rest of the book is spent exploring that premise and looking at how the characters are shaped by and respond to their circumstances. I don't know whether the author intended to present the premise as a secret or not, but the book has been marketed as though it's a secret, and whether it's a spoiler is subjective. (Thank you all for your input on the poll!)

The premise and my thoughts on treating it as a spoilerThe premise is that the students are clones who are being raised to serve as organ donors. They have limited rights compared to non-clones, and the expectation is that they will die from having their organs harvested sometime in young adulthood.

I knew the premise going in because I saw it discussed years ago, and I suspect it wouldn't be that hard to figure it out even before it's made explicit. But I'm sure it also depends on what your expectations are going into the book, if you're looking for a "twist" and how broad you think the scope of possible twists is. Personally, I think it does the book a disservice to coyly market it as literary fiction, if that's the reason the premise has been treated as a secret. For people who like both litfic and specfic equally maybe it's fine, but that's not everyone, so you're asking for people who only want litfic to be annoyed by the bait-and-switch, and for some proportion of people who would like the book to never pick it up because they think it's not for them (or to be aggravated by the implication that we're not calling it specfic because it's "serious literature" instead). I knew it was speculative fiction and I enjoyed it as speculative fiction, and I think dancing around the genre is unnecessary. So that's where I sit with it.

My thoughts which assume you know the premise but don't necessarily assume you've read the bookAnyway! I really liked the book! Based on the three Ishiguro books I have now read, (this, Klara and the Sun, and The Remains of the Day, I've come to appreciate his skill in writing characters who have a perspective on the world that could be considered "limited" in that the reader and the other characters understand things the POV characters don't, but it's very clear that their lived experience has validity and their inner emotional landscape is as rich as anyone's. No matter how small a person's world may look from the outside, to them it is everything.

Kathy and the other clones see things from a certain angle because of the way they've been raised and what they've been taught to believe. They don't automatically perceive the horror of their existence the way we do because they aren't us, they don't know what we know about how things ought to be. But within their own frame of reference, they live their lives and make choices according to their own understanding of who has authority and what the inevitable facts of life are. Their experiences, memories, feelings, insights, and relationships matter even if we can see how constrained they are by their circumstances. After all, we are also bounded by what we perceive as inevitable facts of life, and we also don't know whether we perceive that correctly.

I think the book reflects how we are socialized not to talk about (let alone question) uncomfortable societal truths. I was struck by Kathy's observation that as the students were growing up, the teachers drip-fed them bits of information that they were not quite old enough to understand. She realizes this may not even have been consciously planned, but it had the effect of making them feel they had "always known" what they were and the life that had been chosen for them, even though they had no specific memories of being told. I think this is a bullseye description of what it feels like to be socialized to accept injustice.

Children don't just learn from what is directly stated to them, they learn from what isn't said, from adults' discomfited grimaces, annoyed dismissals, vague contextless remarks, and awkward changes of subject. The school setting (which was a choice on the part of the characters, to structure the clones' residence as a school—it's not like these kids know what schools are really like in the outside world) to me drives this point home. The adults are trying to educate the students for reasons of their own that we learn later, but the primary lesson they're teaching isn't on the curriculum.

Some specific thoughts that reveal details from the end of the bookOnce we got the full explanation of what the school really was, that they were trying to "prove" the clones had souls, I found it just as disturbing as the concept of organ donor clones in itself. Miss Emily's goal wasn't to prove the clones' humanity so they could be liberated and the hideous practice of organ harvest put to an end, it was to prove their humanity so they could be treated a little bit better before the slaughter.

The fact that she is able to tolerate this cognitive dissonance speaks volumes about what she has been indoctrinated to accept, and points to the modes of thought underpinning the broader dystopian world. This, for me, was the true horrifying reveal, and it's all the more horrifying because it is entirely mundane: The belief that a class of people is subhuman can withstand knowledge that disproves the belief, provided that abandoning the belief is inconvenient enough.

By the same token, Miss Emily's description of how public opinion turned against her ideas and led to the closure of Hailsham is so deeply unsettling because it is so familiar and plausible. A push for expanded rights for a marginalized group, even an incremental push, is a precarious thing that can be derailed by a poorly-timed scandal or a negative association, even if the connection is tenuous. As in our own world, many people's beliefs are not based on reason, on consistent principles, or even on a blunt assessment that saving some people justifies sacrificing others. They're based on how much of the truth you can convince yourself to dismiss. If you're looking for an excuse to discredit calls for justice, you'll always find one, and you'll find plenty of people happy to validate your conclusion.

Emily's story doesn't spell this out. As always, it's between the lines as she skips over assumed context that Kathy and Tommy don't share. And they're not even looking for justice, only a temporary reprieve from the fate they've already accepted. But they can't get that, not even when they ask nicely. (Does it ever work to ask nicely?)

My biggest takeaway from the book is how difficult it is to independently invent the idea of a just world when that concept has been denied to you. And how much harder when even the people who come the closest to being your allies don't actually want justice—they want injustice with the sharpest of its vulgar edges politely sanded off.
delphi: An illustrated crow kicks a little ball of snow with a contemplative expression. (Default)
[personal profile] delphi
Boys, Beasts & Men by Sam J. Miller is a 2022 speculative fiction short story collection themed around male coming-of-age and queer male sexuality*.

* Okay, can I still use an asterisk if I'm just going to immediately elaborate on that?

The thing is, I went through this book twice under two different apprehensions. When I read it the first time, I assumed this was written as a collection. It has a framing device that does a lot of heavy lifting to create thematic meaning and an overt narrative through line. So, while my initial disappointment was that all these stories with different protagonists from different time periods and walks of life felt so similar, I thought: "All right, that's deliberate. It's not really working for me, but I can appreciate the idea of all of these stories belonging metaphorically to one person who's been boy, beast, and man. The 'man' part is a bit of a letdown, since that's almost entirely external straight counterpoints to a queerness that is perpetually young and modern for its day. But 'YA with a higher rating' aside, I can dig what it's trying to do."

Then I realized all the stories were written separately for different publications, and I went back through with that in mind. The knowledge made me a little less forgiving of the samey-ness (and the awkwardness of the few times we did get other voices), but it also made me much more forgiving of the fact that the stories don't actually come together into something coherent beyond their basic shared worldview.

This was a "less than the sum of its parts" collection for me, where the individual entries didn't rise to the framing device, and even the framing device felt more...sanitized and self-conscious than I was expecting. It's the type of dark queer speculative fic that feels like it kept walking me up to the edge of an interesting premise and then carefully staying behind a guardrail that showed me the sights but didn't let me take the plunge. To the point that in aggregate some of those steps back and framing of mundane horror added up to something more conservative than I think was intended, and wasn't what I was hoping for from a collection with this title and a framing device about an anonymous hookup.

There are plenty of good ideas, executed very competently (albeit with a share of clumsiness around handling the diversity it's aiming for). Stories include a boy reckoning with his mother's fallibility through an encounter with a dinosaur on exhibition, a teenager developing mind control powers that he turns against his bullies, a father failing to meet his son in the time and place the son inhabits, and an oral history of events around the Stonewall riots. But none of them really grabbed me, or at least none of them kept their teeth sunk in. I think I felt primed for something a little more visceral, messy, and transgressive in a way I definitely wouldn't have been if I'd just encountered these stories separately in different magazines.

That said, there is a specificity to the viewpoints and language, so I think this is a situation where if you like Miller's use of language, his message, and his ways of conveying that message, you'll probably get a lot of enjoyment out of the collection. I'm aware that this is one of those situations where I'm much harder on a book that starts running in the direction I want but is ultimately heading somewhere else than I am on something that starts and stays miles off. I feel like the book overall expresses what the author is looking to express with a high level of technical ability on most fronts, but it just wasn't for me.

In lieu of an excerpt, here's the entirety of one of the stories up on Lightspeed Magazine's website: "We Are the Cloud" by Sam J. Miller

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