Wheel of Fortune (1987)

Aug. 10th, 2025 11:08 am
pauraque: Guybrush writing in his journal adrift on the sea in a bumper car (monkey island adrift)
[personal profile] pauraque
I have a running list of games I remember from my childhood that I add to whenever I think of one. I always think there can't possibly be any more game memories to unearth, and I'm always wrong. For this one I blame/credit [personal profile] zorealis, who brought it up during one of our regular nostalgia rambles.

Wheel of Fortune is a letter-guessing game based on the long-running US game show. It's like Hangman, or if the kids don't play Hangman anymore then it's like Wordle. The added strategy element is that before you guess a letter you have to spin the wheel to determine how many points your guess will be worth if it's right. The wheel also features bad outcomes like skipping your turn or losing all your points.

vanna white gestures to an unfinished puzzle TH_ P___T_D D_S_RT

This DOS version of the game is very easy and probably aimed at children. You can play hotseat multiplayer, otherwise the game provides NPC opponents who don't exactly pass the Turing Test; I found it difficult to lose to them even when I tried. They'd cheerfully guess Q or Z for no reason, even while R and T were still sitting there like so many low-hanging consonant fruits. Poor pixel Vanna White always kept a professional smile on her face as she clapped encouragingly for each spin of the wheel, but I know she was secretly judging us, languishing in her pixel heels as she waited for someone to guess a right letter so she could awkwardly shuffle over there and turn it already, for God's sake.

The reason I was trying to let them win was that I was curious what would happen. When a human player wins, they get to do a solo bonus round. Would it make me sit through the computer doing it too?

Let's find out )

I don't think I played this game very much as a kid. Even in 1987 there were more engaging options. But if you're like me and have been holding onto memories of it in some dusty disused corner of your hippocampus, you can play Wheel of Fortune in your browser.

poll: Never Let Me Go

Aug. 8th, 2025 05:33 pm
pauraque: drawing of a wolf reading a book with a coffee cup (customer service wolf)
[personal profile] pauraque
This poll brought to you by some questions relevant to my next book post, and a discussion with [personal profile] phantomtomato.

Open to: Registered Users, detailed results viewable to: All, participants: 48


Is it a spoiler to state the PREMISE of Never Let Me Go by Kazuo Ishiguro, which is revealed 80 pages in but is treated as a secret by the jacket copy?

View Answers

Yes.
4 (8.3%)

No.
3 (6.2%)

Technically yes, but the book is 20 years old and it's common knowledge now.
25 (52.1%)

I'm not familiar with the book.
16 (33.3%)

Is it a spoiler to state the GENRE of Never Let Me Go by Kazuo Ishiguro, which is discernible neither from the jacket copy nor from where it was shelved in my library?

View Answers

Yes.
1 (2.1%)

No.
19 (39.6%)

Technically yes, but it's in the first sentence of the book's Wikipedia article so you're probably good.
15 (31.2%)

I have not become familiar with the book between the previous question and this one.
13 (27.1%)



For what it's worth, I was spoiled(?) years ago for the reveal, and I don't think it hindered my enjoyment of the book at all.

(Comments may contain spoilers? I guess?)
pauraque: butterfly trailing a rainbow through the sky from the Reading Rainbow TV show opening (butterfly in the sky)
[personal profile] pauraque
subtitle that didn't fit in the subject line: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants

Robin Wall Kimmerer is a botanist and an enrolled member of the Citizen Potawatomi Nation. The "braid" of the the title refers to the interweaving of Western science with Indigenous knowledge to create a way of looking at the world that is stronger than either one alone. In a series of wide-ranging essays she elaborates on this idea from many angles, exploring the economic and cultural factors that lead us to feel cut off from the land that sustains us, and the consequences for our environment, our society, and our mental health.

I found the book effective at developing an intuitive sense of what she means and what it looks like to hold complementary truths and change our relationship with the planet. She argues that the problem isn't just seeing the environment as a possession to exploit, but also the common perception of "nature" as something separate from ourselves that we mustn't touch, like a fragile exhibit in a museum that we can only admire with our hands clasped behind our backs. Indigenous relationships with the land are mutual interactions, and active land management in the Americas long predates colonization. She points out that while those of us who aren't Indigenous can't appropriate those cultures, we can still cultivate a relationship of intimate reciprocity with the land we live on in our own way. I was struck by her comment that many North American settlers seem to have one foot on the land and one still on the boat, as if we're not really sure if we're staying. It's been a long time; maybe, for all our sakes, we need to start treating this like home.

The book is beautifully written, and struck me as deeply evocative of the Obama era in its themes of reaching across gulfs of misunderstanding and its appeals to hope. Kimmerer cautions that despair robs us of our agency, which was perhaps easier to say in 2013, but I believe the message is more relevant now than ever.

I have to admit that at close to 400 pages I think the book might be too long, and some of the later essays began to feel like they were reiterating earlier points rather than expanding upon them. It might read better if you interspersed the essays with reading other things rather than plowing straight through, but I have a hard time doing that so maybe it's on me. The book does offer a lot to think about and isn't the kind of material that can be digested quickly, and I expect I'll be thinking about it for a long time.

Gender Census 2025

Aug. 4th, 2025 03:47 pm
pauraque: bird flying over the trans flag (trans pride)
[personal profile] pauraque
It's that time of year again...
The 2025 Gender Census is now open!

This survey is open to anyone, in any country, of any age, whose experience of their gender doesn't fit tidily into the strict binary of female/male. It seeks broad statistical data about the language we use to refer to ourselves in English, e.g. pronouns, identity words, titles. The results will be made public for use in activism, self-advocacy, business and academia.

The survey takes five minutes* and is open until August 30th.

* Theoretically, unless the questions give you an existential crisis and you spend longer than that staring into space.

Planet of Lana (2023)

Aug. 2nd, 2025 11:57 am
pauraque: Guybrush writing in his journal adrift on the sea in a bumper car (monkey island adrift)
[personal profile] pauraque
In this puzzle platformer from Swedish studio Wishfully, you play as a girl named Lana who lives with her sister in an idyllic fishing village. The game is very cozy for about a minute and a half, until the village is abruptly invaded by giant robots that kidnap everyone and take them away, while Lana is the only one who escapes their clutches. She appears to be her people's only hope for rescue, so you'd best get to puzzlin'.

Lana and Mui stand on platforms preparing to evade a patrolling robot

I would say this is on the easier side as puzzle platformers go, and wouldn't be a bad pick if you're new to the genre. I rarely got stuck for more than a few minutes, and sometimes when I thought I was stuck I was actually overthinking the puzzle because I was expecting it to be more complex than it was. ("Okay, I'll use the magnet to move the box so I can climb up on—oh, I can just jump up there. Okay.") Checkpoints are plentiful so you can't lose progress.

The feature that stands out the most is Lana's companion Mui, a cute little catlike creature who helps her in her quest. Though you primarily control Lana, you can also direct Mui and use the two characters' complementary abilities to get past obstacles. Mui can jump higher than Lana but can't swim; Lana can climb ropes but can't go through tunnels, etc. This gives the game a bit of a co-op vibe even though it's single player.

Read more... )

Planet of Lana is available on PC and consoles for $19.99 USD, which I think isn't bad considering the production values are pretty high, but it is only 6-7 hours of gameplay so you be the judge.

pictures for July

Jul. 31st, 2025 05:24 pm
pauraque: pale purple flower with raindrops on petals (chicory)
[personal profile] pauraque
The flowering season comes and goes quickly here. The same hillside can be purple one week, yellow the next, and then everything's gone to seed. But we do have some wildflowers still going.

cluster of yellow daisy type flowers with dark centers

Black-eyed Susans.

more flowers [3 photos] )

flower aftermath: fruit [3 photos] )

(not) mushrooms [1 photo] )

birds [3 photos] )

lepidoptera [4 photos] )

my favorite sighting of the month: feed me, Seymour! [2 photos] )
pauraque: drawing of a wolf reading a book with a coffee cup (customer service wolf)
[personal profile] pauraque
This chronologically-earliest Hainish novel depicts the events leading up to the invention of the ansible, a device that allows instantaneous communication across any distance. Though it's this technology that eventually fosters the books' interstellar alliance, the science behind it is developed against a backdrop of interplanetary strife. The brilliant physicist Shevek comes from Anarres, a harsh desert moon organized on anarcho-syndicalist principles, completely collectivist. When his own people prove intolerant of his new ideas, Shevek travels to the planet Urras, a lush world of plenty, where he encounters capitalism and formal hierarchies for the first time. Here he hopes to finally finish his work, but first he must face the fact that the greatest barriers are not the expanse of space or thorny questions of physics, but the walls we build between ourselves and our neighbors, as well as within our own minds.

Re-reading this book was not the experience I thought it was going to be.

The part I remembered: capitalism as dystopia )

The part I forgot: gender politics (cn: sexual assault) )

The question I'm left with: what is this book actually about? )
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